Film Analysis Index
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A
    acting
    analysis
    angle of framing
    aspect ratio
    auteur

B

C
    canted framing
    cheat cut
    cinematography
    close-up
    color
    continuity editing
    contrast
    costume
    crane shot
    cross cutting
    cut away
    cut in

D
    decor
    deep focus
    deep space
    depth of field
    devices
    diegesis
    diegetic sound
    direct sound
    dissolve
    dubbing
    duration

E
    editing #1
    editing #2
    elliptical editing
    establishing shot
    exposure
    extreme close-up
    extreme longshot
    eyeline match

F
    flashback flashforward
    focus
    following shot
    framing
    frontality

G
    genres
    graphic match

H
    handheld camera
    high-key lighting

I
    iris

J
    jump cut

K

L
    level of framing
    lighting
    long take
    longshot
    low-key lighting

M
    match on action
    matches
    matte shot
    medium close-up
    medium longshot
    mise-en-scene #1
    mise-en-scene #2
    montage
    movement

N
    non-diegetic sound
    nonsimultaneous sound

O
    offscreen sound
    offscreen space
    overlapping editing

P
    pan
    parallel editing
    plan-sequence
    point-of-view shot
    postsynchronization

Q
    quality #1
    quality #2

R
    racking focus
    rate
    rear projection
    reestablishing shot
    reframing
    reverse shot
    rhythm

S
    scale
    scene sequence
    shallow focus
    shallow space
    shot
    shot/reverse shot
    sonic flash
    sound
    sound bridge
    sound editing
    sound perspective
    source
    space
    steadycam
    story/plot
    styles
    superimposition
    synchronous sound

T
    telephoto shot
    three-point lighting
    tilt
    tracking shot
    transitions
    typage

U

V
    voice over

W
    whip pan
    wipe

X

Y

Z
    zoom shot